上映：
未知
更新：
2025-07-04 03:30:06，最后更新于7月前
备注：
更新HD中字
评价：
TAG：
未知
剧情：
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.收起
相关影片
2026剧情片中国大陆
HD中字
2026剧情片中国大陆
更新HD
2025剧情片美国,罗马尼亚
更新HD
2026剧情片加拿大
更新HD
2025剧情片中国大陆
更新HD
2025剧情片中国大陆
HD中字
2025剧情片中国大陆
HD中字
2025剧情片中国台湾
HD中字
2025剧情片中国大陆
HD中字
2025剧情片中国台湾
更新HD
2025剧情片中国大陆
Yú Cì (Fish Bones) follows Bowen, a nonbinary Asian-American living in Queens. Bowen’s mother, Ai,..
更新HD
2025剧情片美国
更新HD
2025剧情片法国 / 塞浦路斯 / 德国 / 以色列
艾里尔·布隆兹 伊芙雷特·多 纳马·普雷斯 阿列克谢·谢列布里亚科夫 莎伦·亚历山大 Pablo Pillaud-Vivien Idit Teperson Meir Fenigstein Amit Narovliansky Ellie Ohana Joy Ohana Noah Lapid Preis 阿萨夫·乔纳斯 Shira Shaish Daria Gilat Brenner Ron Friedland Rodia Kozlovski Rachel Ayalo Oded Carmi Muriel Ha
富豪私人派对上，一对男女忘我炒热气氛，只要金主敢玩，他们十倍奉还。白天，两人栖居小公寓照料幼子，她靠教舞维生，他则是潦倒音乐家。然而，手机里传来的加沙炼狱景象使他们焦虑，周遭人们却欢庆着血流
HD中字
正在热播
更多
2025国产剧中国大陆
独家推荐
更新第03集
2025动作片中国大陆
独家推荐
更新HD
2025剧情片大陆
独家推荐
TS尝鲜
2025科幻片中国大陆
独家推荐
更新HD
2006国产剧大陆
热播
39集全
2021国产剧大陆
热播
共40集,完结
2020科幻片美国
热播
BD1280高清中字版
2009科幻片美国
热播
HD
2020国产剧大陆
热播
共16集,完结
2020国产剧大陆
热播
完结
2020喜剧片大陆
热播
BD高清
2020剧情片大陆
热播
HD
2022国产剧中国大陆
热播
更新至04集
0国产剧中国大陆
热播
更新至08集
